The UK's secession from the EU will have far-reaching consequences, some of which will inevitably impact the movies. Just a month ago, British filmmaker Ken Loach's Cannes premiere (and Palme d'Or winner) served as a sobering augury. I, Daniel Blakedepicts a United Kingdom beset by poverty, unemployment, and defunct social services. Its disenfranchised working class—though skilled, capable, and experienced—is unable to maintain the basic rights to life, let alone secure a living wage. The titular character pursues every option available to him, only to find himself caught in the snares of long lines and red tape that appear all but designed to cast him out to the streets.